It sounds almost too unbelievable to be true, but I've actually used in my tales, a number of the words noted here. My favorites are "gewgaw" and "frippery." In fact, if I had a clothing or accessories store, that's what I'd name it: Gewgaw and Frippery. (And if I had a casual clothing store for young people, I'd call it "Disheveled.")
What do you think of these words? Have you ever made use of them? Do you think you might?
Please, do share your thoughts. Also, let me know if you've found my use of any of these words in my stories. (It will be like looking for lost treasure!)
Writers take different approaches to their work. Some have every scene mapped out in advance, every character portrait painted, before the opening words find their way to the page. Others just . . . let it happen. It seems to me that both approaches have their benefits—and their downfalls. If all is planned in advance, will there be surprises sufficient to continue to engage the reader? On the other hand, if events are allowed to happen without any advance thought, will what ultimately transpires prove to be internally consistent? Then, of course, we writers tell our stories through our characters and as every writer knows, characters have minds of their own.
It is true. A writer may begin with the purest of intentions, but as things trip off from the ends of the writer’s fingers to the keyboard and onto the screen, things happen. Characters do and say things the author didn't anticipate.
These things may leave the writer shocked, laughing, or even mourning, as they can force the story to change directions. Add to that the fact that characters think their own thoughts, from the purest, to the most despicable. Thus, this writer often finds herself wondering: was that always inside of me? Was it just a matter of my not having entertained those thoughts in the past?
From whence do these unexpected turns and revelations come? Does a writer dream them first? Are they floating around in her subconscious mind until they simply burst out from the tips of her fingers? And, what is this writer to do with a wayward character who simply will not abide by the rules, who displays skills of which I previously had been unaware, who says the most outrageous things, or perhaps, who says nothing at all. . . ?
(Content first published elsewhere, September 20, 2013.)
Recently, I met an amazing young woman, Veronica Clay, who it so happens, is quite the writer! We chatted briefly about flash fiction—finding ways to tell BIG stories with few words, and thought we might do some flash fiction writing together. (See the side post.)
A short time later, Reyna, another terrific and talented young woman who I've known since she was born (and who it so happens, is friends with Veronica), decided she would like to join us.
Together we three decided we would choose a single pic, and then each of us would write a story using it for inspiration.
The simply gorgeous pic we chose, entitled, Maori Pirate Princess, is provided, below. You can find more information about it, here. Of course, I never make things easy, so I decided to tell a story about the subject of this artwork as though she was not a pirate. Below is my offering. I hope you enjoy it!
Having received permission from both Veronica Clay and Reyna Myvett, their stories are also set out, below. They are fabulous!